Padmanabha Gaura Dvadasi

Srimati Radharani is prema-samput, the treasure-chest of love, and She is revealing Her heart to us by describing what is prema. Our guru-parampara has very mercifully collected all this, and they have opened their realizations to us. If any of us can get one drop of this mood, our lives will be successful...

Sri Krsna said, "Oh Devi, Oh You who are the most qualified girl in the three worlds, even including the Vaikuntha planets. Who in her right mind would dare to consider herself equal to You, for there is no one equal to You in this world...

Srila Raghunatha dasa Gosvami is an eternal associate of Sri Caitanya Mahaprabhu and also of Krsna, but in the pastimes of Mahaprabhu, he showed the sadhana-bhajana for attaining the elevated devotional stages of bhava and prema. If a sadhaka sincerely desires to engage in bhajana to achieve the direct association of the Supreme Lord without delay – perhaps in only one or two births – then he should engage in bhajana just as Raghunatha dasa Gosvami did...

First let us glorify Gopal Bhatta Gosvami. During Caturmasya-vrata Sri Caitanya Mahaprabhu went to South India, to the Ranganathji temple. He began to dance and perform kirtana there, and all were attracted. The members of a very holy family met Him there, and they requested Him, "Please stay at our residence for these four months of Caturmasya, and after that You can go anywhere else...

First, we should know the identity of Srila Raghunatha dasa Gosvami. Srila Gopala-guru Gosvami has stated in his Paddhati that in his siddha-svarupa, his spiritual form in Goloka Våndavana, Srila Raghunatha dasa Gosvami is Sri Rati-manjari, and her nickname is Sri Tulasi-manjari...

I take shelter of my lord and master, Sri Sanatana Gosvami, who is an ocean of compassion and who always feels sorry for the suffering of others. Although I was unwilling and blinded by ignorance, he diligently made me drink the nectar of devotion laced with renunciation...

There are two kinds of bhajana. The first is in vipralambha-lila, and that is performed by chanting and remembering the pastimes of separation. The second is in sambhoga-lila, and it is performed by remembering the pastimes of meeting.